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Sunday, June 13, 2021, 3:00pm
Aliento Chamber Players @ Concerts By The Bridge
Johannes Brahms
Sextet Opus 18 in Bb Major
- Allegro ma non troppo
- Andante, ma moderato
- Scherzo. Allegro molto
- Rondo. Poco Allegretto e grazioso Allegro Moderato
Premiered in 1860, the first sextet Brahms wrote almost as a defiant gesture, as living in the shadow of Ludwig van Beethoven, he had already spent 5 years
working on sketches for his first symphony, a work that the composer said took him 25 years to complete. The rich sonorities of added deeper instruments
gave him a rich palette to work in, developing his fondness for reaching over the barlines for his meter and turning the listener around in a musical trompe l'oeil
effect.
The composer at this point had a wonderful group of musicians he had worked with for some time, a group dedicated to the works of Schubert (as evidenced in the last
Rondo movement) and with whom he had frequent discussions about the music as he was writing it. In fact, rather sadly Brahms sent Clara a manuscript of the first three movements, entreating
her to ‘burn the trash’ in order not to have the bother of returning it. The thought of this well-loved work going into the flames as many of his other compositions had, makes this reader
wonder what else we are missing from this giant.
Sextet Opus 36 in G Major
- Allegro non troppo (G major)
- Scherzo – Allegro non troppo – Presto giocoso
- Adagio
- Poco Allegro
Sextet Opus 36 was composed 5 years later in 1865. During this time, he had crossed over into his 30s and with this new maturity came an ease with contrapuntal technique and an ease of
style that made the rich sonority of a string sextet glow with a new ease that suits this genre. Brahms had also fallen in love, and although they would never wed, Agathe von Siebold was captured forever in the first movement
of this work.
Zoia Bologovsky, violin
Louise Kandle, violin
Karen McConomy, viola
Jan Heirtzler, viola
Dorothy Braker, cello
Nancy Hair, cello
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